When a performer becomes aware of their movement or speaking habits their potential exponentially grows. Habits can be a source of annoyance; patterns that are always getting in the road. Or habits can be a source of great, generative, renewing play and performative awareness. In clown we are...

Bouffon is a satyrical, grotesque physical comedy grounded in mockery. As a formalized style of theatre, Bouffon can be traced to the Lecoq school of mask, mime and movement theatre in Paris. In the 1970s the pedagogic director, Jacques Lecoq, started to explore a core performance dynamic...

The movement doesn’t mean something, it is something. Mimo Dynamique training is a type of theatre training that is grounded in one key principle: observe the world then imitate it. It is a pillar of the Lecoq pedagogy of Mask, Mime and Movement Theatre and can create a really liberating state...